Forbidden notebook by Alba de Cespedes
Out running an errand Valeria Cossati gives in to a sudden impulse-she buys a shiny black notebook.
She starts keeping a diary in secret, recording her concerns about her daughter, the constant churn of the domestic routine, and her fears that her new husband will discover her new habit. With each entry Valeria plunges deeper into her interior life, uncovering profound dissatisfaction and restlessness. As she finds her own voice, the roles that have come to define her –as wife, as mother, as daughter–begin to break apart
Scary monsters by Michelle de Kretser
Michelle de Kretser’s electrifying take on scary monsters turns the novel upside down –just as migration has upended her character’s lives.
Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces ‘Australian values’. He’s also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.
Lili’s family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she’s teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.
Three scary monsters – racism, misogyny and ageism – roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new.
Girl goddess Queen by Bea Fitzgerald
Thousands of years ago, the gods told a lie: how Persephone was a pawn in the politics of other gods. How Hades kidnapped Persephone to be his bride. How her mother, Demeter, was so distraught she caused the Earth to start dying.
The real story is much more interesting.
Persephone wasn’t taken to hell: she jumped. There was no way she was going to be married off to some smug god more in love with himself than her.
Now all she has to do is convince the Underworld’s annoyingly sexy, arrogant and frankly rude ruler, Hades, to fall in line with her plan. A plan that will shake Mount Olympus to its very core.
But consequences can be deadly, especially when you’re already in hell . . .
A fierce, fresh and enormously fun YA fantasy re-imagining from a growing TikTok superstar.
The remains by Margo Glantz
The way you hold a cello, the way light lands in a Caravaggio, the way the castrati hit notes like no one else could—a lifetime of conversations about art and music and history unfolds for Nora Garcia as she and a crowd of friends and fans send off her recently deceased ex-husband, Juan. Like any good symphony, there are themes and repetitions and contrapuntal notes. We pingpong back and forth between Nora’s life with Juan (a renowned pianist and composer, and just as accomplished a raconteur) and the present day (the presentness of the past), where she sits among his familiar things, next to his coffin, breathing in the particular mix of mildew and lilies that overwhelm this day and her thoughts. In Glantz’s hands, music and art access our most intimate selves, illustrating and creating our identities, and offering us ways to express love and loss and bewilderment when words cannot suffice. As Nora says, “Life is an absurd wound: I think I deserve to be given condolences.”
Music in the dark by Sally Magnusson
Jamesina Ross is long finished with men. But one night a stranger seeking lodgings knocks on the door of her tenement flat. He doesn’t recognise her, but she remembers him at once. Not that she plans to mention it. She has no intention of trusting anyone enough to let herself be vulnerable again.
A lifetime ago Jamesina Ross was bent on becoming a writer. She had a facility with words. She made up songs about the Highland glen where she lived and the kin who had worked that land for generations. When her community was threatened with eviction, she gave voice to that too. The women stood together, defiant and determined, but Jamesina’s music was no match for one of the most brutal confrontations of the Highland Clearances.
Jamesina has borne the disfigurements of that day ever since, on her face and inside her head. It marked the end of a life of promise and the beginning of a very different one. Her lodger thinks that if she would only dare to open the past, she might have the chance of a future.
A beautiful exploration of unlooked-for love in later life, its contrariness and its awkward, surprising joys, this is a story about resilience, memory, resurrection – and those parts of who we are that nobody can take away.
The Unpicking by Donna Moore
Stirling, 1877. Lillias Gilfillan, a recently orphaned girl of sixteen, falls in love and elopes with a man who sees her as wealthy and naïve: ‘a little boat without its oars’. In a sea of rising debt and deception, Lillias must learn quickly, or drown.
Glasgow, 1894. Clementina knows little mercy living in a home for ‘wayward girls’. With the ‘Jingling Devil’ always lurking in the shadows and a child growing inside her, can she outrun him and save her best friend in the process?
Glasgow, 1919. Mabel is one of the first policewomen in Glasgow, on a mission to find a murderer. In doing so, she finds a web of corruption and now the ‘Jingling Devil’ wants her dead.
‘The Unpicking’ spans three generations of ‘hysterical women’ who take on systemic corruption and injustice, despite all odds.
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