Artist Alison J Carr presents her new short film and book drawing from her research with showgirls. Felicity Means Happiness tells the story of a shared dialogue between 98-year old former chorus girl, Felicity Widdrington, and the artist. Viewing Pleasure and Being a Showgirl, How Do I Look raises questions around representation and contemporary showgirl experiences, and their relevance for feminist debate.
Felicity Means Happiness is video work that tells the story of a 98-year old former chorus girl. Alison interviewed Felicity about her time dancing in the thirties, in Europe on the cusp of war. Felicity Means Happiness shows Felicity, telling her stories, and Alison showing Felicity her artworks inspired by 1930s dancers, and footage of an Austrian film Felicity was in. The piece is as much about the connection between the artist and Felicity as it is about the realities of dancing and travelling.
Viewing Pleasure and Being a Showgirl, How Do I Look contextualises contemporary showgirl experiences, drawing out their relevance for feminist debate as well as practitioners for example artists and performers. In the book Alison writes about watching different kinds of shows, spectacles, burlesques and cabarets and as well as interviewing showgirls. The book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking.
An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women’s bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies – those of glamorous women on display – to become scapegoats for our deeper anxieties about consumerism.
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The screening is subtitled.
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