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Linder’s Flag and Film

19th April, 2018 - 7th May, 2018

A woman leans her head back as if taking in the sunlight on her face or stretching back mid motion. There is an old stone wall in the background and she is in a field.

“Bower of Bliss” Linder’s Flag and Film, Thursday 19th April to Monday 7th May during GWL opening hours

A woman leans her head back as if taking in the sunlight on her face or stretching back mid motion. There is an old stone wall in the background and she is in a field.
Film Still from “Bower of Bliss” by Linder. Cinematographer Fatosh Olgacher.

One of the most significant feminist artists of her generation, Linder has created interventions of uncanny glamour and enchantment in Glasgow’s East End.

Her site specific works include a spectacular flag commissioned for the Library’s façade, drawing upon the feminist and pop culture artefacts in the Library’s collection. Linder has also created a film work, shot on location at the Mary Queen of Scots Bower, Chatsworth, Derbyshire, where the anointed queen spent some of the fifteen years she was detained under the jurisdiction of Elizabeth I.

For more information on “Bower of Bliss” Linder’s Flag and Film: Launch Event, Thursday 19th April, 6.30am to 8.30am, please see here.

For more information or to book for an Artist’s Talk by Linder on Sunday 22nd April, 1pm to 3pm, please see here.

Commissioned by Glasgow Women’s Library and Glasgow International 2018 with support from Outset Scotland and Clyde Gateway. With thanks to Chatsworth House, Bottle of Ginger, Glasgow Building Preservation Trust, Clydesdale Amateur Rowing Club, and Glasgow University Boat Club.


Linder is known for her photography, radical feminist collage, confrontational performance art, and ties to the British punk scene. One of Linder’s most recognizable works of art first appeared on the sleeve of the 1977 Buzzcocks single “Orgasm Addict.” On the cover, Linder utilised what would become her signature mass-media collage strategy to adorn or violate—or, really, both—a classical nude female torso with mouths at the nipples and an iron in place of the head. By the time the single was released, Linder had already become a fixture in the Manchester punk and post-punk scene.

Image showing someone holding an old magazine in front of their face perhaps closely inspecting the cover or hiding. The room they are in has soft lighting with green tones from the curtains shining from behind them.
Film still from “Bower of Bliss” by Linder. Cinematographer Fatosh Olgacher.

In many ways, her collage works from the period have much in common with the subversive practices of punk: Ripping things apart and reassembling them was a way of showing the counterfeit quality and construction of any social image. But Linder’s art went even beyond the rebellion of her underground musical counterparts. Much like Hannah Höch in the Weimar era, Linder fused capitalism, sexuality, violence, feminism, desire, morbidity, and hope in her collages. Linder has transformed herself many times as an artist since those first collages. She performed as the lead singer in the art-punk band Ludus. She’s applied those assemblage tactics to photography and her own portraiture (most recently in a series with flowers).

Paul Hamlyn Foundation Award winning artist Linder has had solo exhibitions at Nottingham Contemporary, Musée d’Art Moderne de la Ville de Paris, Tate St. Ives, and Museum of Modern Art PS1.

Film Credits

Bess of Hardwick: Dancer Kirstin Halliday’s movement practice is motivated by the co-generative relation between moving bodies and social space. Kirstin’s research background is in Human Geography, a discipline fundamentally concerned with people, space and place. Kirstin studied Human Geography at the University of Glasgow and the University of Iceland, particularly focusing on women’s experiences of everyday walking. Subsequently, Kirstin studied at the Scottish School of Contemporary Dance and at SMASH Berlin, undertaking two months of intensive training in experimental physical performance.

Mary Queen of Scots: Lauren Fitzpatrick is an actress and dancer. Lauren recently graduated from the Guildford School of Acting, and will make her tv debut in April in a popular BBC 1 soap. Lauren has collaborated with Linder in many projects including: The Ultimate Form at Hepworth Wakefield , Destination moon: “you must not look at her!” At the ICA in London, “Love imposes impossible tasks” at Cooper Gallery, Dundee, and “Hollywood Medieval” with Maxwell Sterling at IMMA in Dublin. More info here.

Costumes: Louise Gray has gained a reputation for questioning the rules – celebrating odd, arty, and individualism. Louise trained at The Glasgow School of Art and Central Saint Martin’s. This heady mix of textiles and fashion background coupled with a forward attitude lends itself to a unique style and opinion that makes the Louise Gray world an interesting place. Louise has collaborated with recently with Marques’ Almeida at London fashion week as well as Topshop, Brora, Judy Blame, Lane Crawford and The Victoria and Albert museum as well as many others. More info here and on Instagram.

Cinematographer: Fatosh Olgacher is a cinematographer with experience in short films, music, and commercial videos. Born in Cyprus, Fatosh moved to the UK to study Msci Mathematics at the University of Nottingham. Since graduating she has pursued a career in Cinematography, combining her twin passions for film and math to create artistic and precise images. She is inspired by the geometry and compositions found in art and mathematical sequences. More info here.

Music: Maxwell Sterling and Teresa Winter.

Maxwell Sterling is a composer and musician whose musical vocabulary ranges from film scores to live performance, studio albums to ballet scores. With a background in jazz improvisation and film music, his work is often focused on how music is used as a mode of communication and signifier of emotions. In 2016, he released his debut album, ‘Hollywood Medieval’ which explores the role of synthesis and digital sounds and their emotional affect. Sterling has collaborated with Friedrich Kunath, Christopher Shannon, Linder, J.W. Anderson, Tai Shani and Florence Peake.

He is currently working on a new studio album as well as two sound installations for Nottingham Contemporary and Chatsworth House. Listen to Maxwell’s work on Soundcloud here and read about his work in FACT here.

Teresa Winter is an artist working within ambient, avant-pop and psychedelic music paradigms. In 2017, the label The Death of Rave was lucky enough to release Teresa’s first vinyl record, ’Untitled Death’. Prior to this, Teresa released ‘Oh Tina, No Tina’ on Reckno records, hailed as “devotional VHS post rave meltdowns of the highest quality”. Teresa has also collaborated with visual artist and writer, Tai Shani on her performance work, ‘Al Anem One’. Listen to Teresa’s work here and read about her work on AQNB here.


This exhibition is free to attend and there is no need to book. Open 7 days a week, 10am to 6pm (7.30pm on Thursdays).


Pink logo that says 'Glasgow international 2018' 20 April - 7 May

Logo for Outset, lowercase letters read 'outset.'






Clyde Gateway logo





19th April, 2018
7th May, 2018
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