- About Us
- Our Values
- Our History
- Our Team
- Library Staff
- Board of Directors
- The Broader GWL Team
- Sister Organisations
- Working with GWL
- Frequently Asked Questions
- Contact Us
- Where to find us
- Information for Press
- Explore Our Collections
- The Lending Library
- The Archive Collection
- The Museum Collection
- Reading Ideas
- From the Archive
- Donate books or archive material
- Information for Publishers
- Discover Our Projects
- In Her Shoes
- Speaking Out: Recalling Women’s Aid in Scotland
- Women Make History
- Young Critics
- Seeing Things
- Across Scotland
- Reading Groups
- Past Events & Projects
- 21 Revolutions
- Speaking Volumes
- Sex in the Women’s Library
- What is Sexology?
- Sex Between the Covers: Exhibited Items
- Sex between the covers: The publication
- Sex in the Women’s Library: The Film
- What Women Talk About When They Talk About Sex
- Sex Between the Covers: Zine Library
- New Writing About Sex in the Women’s Library
- Women Making a Show of Themselves
- Sex in the Women’s Library blog
- Sex in the Women’s Library: Suggested Reading
- Sex in the Women’s Library: The Film Season
- Sexology Playlist: The Soundtrack To Our Season
- Sex in the Women’s Library: Credits and Thanks
- Mixing The Colours
- Pulp Queens: Femmes Fatales and Fragile Frails
- HOUSE WORK CASTLE MILK WOMAN HOUSE
- Artist in Residence for the Women of Glasgow
- Celebrating Commonwealth Women Writing
- Reader in Residence Magi Gibson
- Badges of Honour
- Illuminated Letters
- One Small Step
- Making Space
- Feminist Lines of Flight
- Get Involved
- Find Out What’s On
- Be Inspired
- What GWL can offer your group or organisation
- Venue Hire
- Heritage Walk Audio Tours
- Pioneering Podcasts
Older Posts: 2012
In the fourth of our new Glasgow Women’s Library podcasts, Elizabeth Reeder reads her new story, Everyday Wintergreen, and talks about the inspiration behind the work.
She tells tales of the everyday and gives voice to people you can actually imagine meeting in your daily life. But in bringing these people to life on the page and narrating everyday experiences, she suffuses the apparently ordinary with the truly magical.
At the end of the book you feel although she is indelibly shaped by her childhood, she is not defined by it.
Besides being a good read, this novel has made me re-assess present day family and community relationships and interdependence.
It’s an illuminating examination of the points at which an Eastern and a Western culture intersect, a remarkable exposure of the flaws in common stereotypes, and a convincing portrait of a young woman discovering herself against the backdrop of urban Britain.
It just filled me with joy when I came across it, it’s empowering in the way that only telling it like it really is can be.
The female characters particularly stand out as they are both very individual and don’t give in to pressure to act a certain way during a time when I think that would be particularly difficult.
This story tells how families were fragmented and how some lucky ones found each other. Although fiction, the horror of the greatest loss of civilian life, in a Scottish town, in World War II, is described, as is the warmth and resilience of the `Bankies`. The author has brought the Blitz alive through Lenny and her war experience.
I loved this book when I read it because it’s dark, but it is positive in the end, the prose is great, the language is rich and the whole tapestry of these imperfect human beings and their lives in this small and slightly weird community is very rich and satisfying.
I also enjoyed it because it’s an escape, which is sometimes what reading should be – it’s funny and gentle but very true about people.